Day three of working on the lakehouse. It was cloudy that day, so I didn't really get to paint as long as I'd have liked. Since I'm depending on the outside light I can only work when the light is right. At our other home I had plenty of light in my studio area, but I also had some overhead flourescent lighting. I had daylight style bulbs, full spectrum. It was close to natural light so I could paint at night. There was a time when Tony was traveling alot that I would stay up and work nearly all night long. Once I get started painting, I don't realize how much time has passed. It's very engrossing for me.
I worked on the sky areas on Friday. They are always a challenge to make clouds look like clouds. It's easier in a plein air painting cuz you can just put big swashes of color in there, but this painting is more detailed so the sky needs to be a bit more detailed. Plus, I had to wing the clouds because the day I took the pictures it was a blue-bird day and not a cloud in the sky...
I wanted this painting to be a remembrance of a bright sunny day with just a touch of Indian Summer, thus a few touches of fall color in the distant trees. I was trying to get away from solid green. On the clouds, I first took some white and blocked in where I thought the clouds would direct the eye to the center of interest. I did not want a white cloud behind the roof of the lakehouse because there would be no contrast. Too much the same color. So I played with the clouds for a bit until I felt satisfied with their placement. Clouds are not solid white - if you really look at them, even white clouds have other colors in them reflected up from the ground or from other clouds.
I have the clouds blocked in now, and after they dry a bit, I will go back in and put more subtle colors and modeling into them. I also worked on the background trees and will suggest some trunks and branches. Not much detail because it will bring them forward and I want to keep them simple and in the distance.
Don't know if you noticed but in the photo that I'm working from there is a small skinny tree right in front and on the left side of the lakehouse. It kept bothering me that it was in the way. So I moved it. I'm moving it to the left of the lakehouse so it won't block the view. Just a small dab of "artistic license" there. I painted it out but you can still see a bit of the green foliage that will disappear when I work on the lakehouse.
OK, foreground. I'm thinking about the foreground. There is a huge expanse of nothing in the foreground except a hay pasture with short hay. One has to think a little outside of the box here. We want to keep the painting and the EYE inside the painting, so I am going to include those dark shadows in the front there. It helps to "frame" the painting and not lose a wandering eye off the canvas. Notice how other artists handle this problem in other paintings you may view. You may see a painting where the artist brings the eye into the center of interest and that's where you're supposed to stay. This landscape's feeling is peaceful and serene and I want to keep the viewer's interest in the painting and have him/her linger there in that peacefulness. In order to do that, I will create boundaries to hold your eyes there.
Sorry, there was an afternoon glare on the painting when I took this picture. You can see where I blocked in some shadows in the foreground and will work on that next time. I will go around the painting and try to draw the eye inside in all areas to keep it in the mood of the painting. Below, is a black/white photo - just checking my contrasts. Again, the glare. But, it's also a great way to see if my painting is working and has good contrasts. I think after I get the lakehouse done I will have better contrast in that area. Right now it's pretty drab. Working on the entire painting in the last stages I will correct and enhance certain areas, create more contrast with color, maybe subdue some areas, but I want the painting to have a rich contast of colors, darks/lights, warm and cool colors, and detail and soft edges.
Again, thanks for looking! I have to work for a couple of days, but will be back later this week!
Coming along nicely Vickie! Isn't it exciting to be painting again? You go, Girl!
ReplyDeleteIt's fascinating to come along on the journey as the image takes shape. There's always so much thought and purpose behind the art. The painting looks beautiful ...
ReplyDeleteLovely sky and it all looks beautiful! blessings,Kathleen
ReplyDeleteVery interesting! It's coming along so nicely. Who was the artist who said that if you painted the clouds just as you see them no one would believe you? I'll Google. ;>
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